Ah, logic in the marquee tool, you c.Īn do this what I'm about to d'oh there's also you can kind of customize logic to do it I don't know do you stab to transition editing, you know, okay, um if you want to learn how really you could email me and I could show you how but I would if you find out that this kind of head innings for you I love apple to death my life savings is apple stock so this is how I add it and you can use flex time audio in logic and slicing mode which you use logic at all. This is different this over at timberline missing, but you'll see if you I'm sure they have something like this. Do you know if they have tapped to transient editing? I'm not entirely sure, but sometimes I use what's called waves audio trends x I think it's called that's looking that's a transient designer. I've never really did dove into it too much. So the way I would I go about editing generally a section is ella a little bit I tab to get to the transient in pro tools is everything guys that record to use pro tools, their logic or he's alive? I'm sorry, you studio on version uses video one ok, studio one I'm sure has something like this. You guys on this uh, track right here? The one that's highlighted you guys can see you know what transients are there the spikes in the audio? Um, that's where we're going to go for really locking in base or guitar or anything I use tab to transient in pro tools, which can you see my keys when I do that? Perfect.
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